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Prophecy Six Blog

Sharing My Unedited Writing Experiences & Life Experiences.

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writing a book

SoLK’s Chapter Edits and Realizations

bookthreeupdate

Last update I talked about being done chapter three, this time I am done chapter four.

Not a huge success but I had to go back to make changes to the previous chapters to help make sense of what the later chapters are going to hold. I have mentioned before I’m not a planner when it comes to writing books.

I have a plan in the sense where I know where I want the story to end up but when it comes to chapters and details I have no freaking clue. I let the characters guide the story and allow their personalities to create the scenes.

For example:

I had originally planned for the story to begin with Liora hurrying to meet the King of the South as per Empress Mardina’s request… but something about that wasn’t right.

Mardina is a relatively kind woman with a protectiveness for the things she “owns” – like Liora. Liora is useful for La’reen with her abilities to see and predict things – and even more-so now that her talents of seeing are getting stronger. Mardina would be in fear of losing Liora to her cousin, and so wouldn’t permit Liora anywhere near Min’din during the King’s visit to La’reen.

As those of you who have read the previous books know, Liora isn’t the type to listen to someone when they say no. She lets her curiosity get the better of her and finds loop holes to get what she wants, (or just straight out does it without any regard of the punishment involved). In book three, one of those moments is seeing the Southern King. She doesn’t just do it because she wants to see what Min’din is like compared to Charn – his Northern counterpart – but wants to find out what Min’din knows about her peoples’ massacre.

The King wants to meet with Liora, not because he wants to meet the girl, but because she is a tool that can get him what he wants. Mardina’s downfall of showing off Liora like one of her prized possessions has come back to bite her in the butt by having someone in the court tell the Southern King that Mardina has a Seer, which in turn could help Min’din find answers about his son that no one else has been able to answer.

This complicated balance of personalities is what drives the first chapters.

Liora wants answers about her people and Min’din’s role in their deaths. Mardina wants to keep her new toy away from her cousin. Min’din wants answers about his son and the future of his country. Everyone has a want, and how they go about achieving it is very different.

So, when I originally started writing I tried to go with what I had planned and soon discovered I was writing the story and not my characters. As soon as I stepped back and basically said, “Liora, take the wheel”, the story began to develop into this complicated wonder I now have before me.

Compared to book two, book three is going to be filled with a lot of events intersecting and reacting with one another. Liora is becoming a player in the game of politics, and soon her actions are going to start affecting more than just herself or the Six. Book Three: Sons of Lost Kings, is going to be where Liora wakes up and realizes that one person can make an impact on their world, whether they want to or not.

Anyways… that was my writing realization of the day. 

Until next time – toodles!!

Listen to Your Intuition

When people ask how I can come up with my ideas or how can I write what I write, I tell them ‘I don’t know’. Most of the time I don’t remember what I’ve written when I’m done a chapter. When I start to write it feels like pulling teeth, trying to pull each word out as I slam my fingers firmly down on the keyboard. It’s after a couple of minutes my fingers pick up speed and my brain shuts off where I find that I can’t stop myself.

Mr. Canuck has experienced times where I’m sitting typing away, he asks me a question, and I’m talking to him like I’m not even typing while I’m typing away. “My hands are possessed”, he says in a joking manner… but I don’t think he’s wrong.

I get to the point in my writing that I don’t let getouttathewayme brain write any more. My brain will come back for the editing process when it’s more useful but in the time of writing drafts something else takes over and I think that’s my intuition.

Before I get into writing any of my stories I have a plan laid out. I know what I want for my characters and how the book ends but getting to those points are a complete mystery to me. I’ve been known to go back and re-read my chapters dozen of times by the time the first draft is over because I didn’t know what I wrote. In a sense that helps me get into the mind of my readers. If it doesn’t make sense to me, it won’t for them. If I’m not feeling any emotional connection, neither will my readers.

In the end, intuition is what guides us on this busy path called life. Is it any surprise that it would help you guide your characters lives as well?

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